|
|
Edward
Curtis Collection
|
|
|
|
|
 |
|
|
"Mosa Mojave" and "Quilcene
Boy" by Edward Curtis
|
|
|

Below you will find a selection of Vintage and Re-strike photogravures
from the collection of Edward
Curtis.
The following photogravures are available for sale. Click on
image to see larger version. (Please set your browser to allow popup
windows for this purpose.) If your browser does not support JavaScript,
you may view a page containing all of the larger versions of this
artist's work by clicking here.
Please note that the images here are greatly compressed for
Internet viewing and the originals are of much higher quality.
Contact
us for further
information on these pieces or to request other items of interest.
|
|
|
|
|
"The
Three Chiefs- Piegan"
Vintage photogravure,
1900, H x W, antique frame
"Three
proud old leaders of their people. A picture of the primal upland
prairies with their waving grass and limpid streams. A glimpse of the
life and conditions which are on the verge of extinction." [Ref.: "The North American Indian"]
|
|
|
|
|
"The
Vanishing Race"
Re-strike
photogravure, 1904, H x W, Unframed
"The
thought which this picture is meant to convey is that the Indians as a
race, already shorn of their tribal strength and stripped of their
primitive dress, are passing into the darkness of an unknown future.
Feeling that the picture expresses so much of the thought that inspired
the entire work, the author has chosen it as the first of the series." [Ref.: "The North American Indian"]
|
|
|
 |
|
"Geronimo"
Re-strike
photogravure, 1907, H x W, Unframed
"This
portrait of the historical old Apache was made in March, 1905.According
to Geronimo's calculation he was at the time seventy-six years of age,
thus making the year of his birth 1829. The picture was taken at
Carlisle, Pennsylvania, the day before the inauguration of President
Roosevelt, geronimo being one of the warriors who took part in the
inaugural parade at Washington. he appreciated the honor of being one
of those chosen for this occasion, and the catching of his features
while the old warrior was in a retrospective mood was most fortunate." [Ref.: "The North American Indian"]
|
|
|
 |
|
"The
Storm"
Re-strike
photogravure, 1906, H x W, Unframed
"A
scene in the high mountains of Apache-land just before the breaking of
a rainstorm." [Ref.:
"The North American Indian"]
|
|
|
 |
|
"Jicarilla
Maiden"
Re-strike
photogravure, 1904, H x W, Unframed
"This
picture (shows) exceedingly well the typical Jicarilla's woman's dress:
a cape of deerskin, beaded, a broad belt of black leather, a deerskin
skirt, and the hair fastened on each side of the head with a large knot
of yarn or cloth." [Ref.: "The North American Indian"]
|
|
|
 |
|
"Canon
del Muerto"
Re-strike
photogravure, 1904, H x W, Unframed
"This
"Canon of the Dead" is a branch of The Canon de Chelly, deriving its
name from having been the scene of a massacre of a band of Navaho by a
troop of Mexican soldiers." [Ref.: "The North American Indian"]
|
|
|
 |
|
"Son
of the Desert"
Re-strike
photogravure, 1904, H x W, Unframed
"In
the early morning this boy, as if springing from the earth itself, came
to the author's desert camp. Indeed, he seemed a part of the very
desert. His eyes bespeak all of the curiosity, all the wonder of his
primitive mind striving to grasp the meaning of the strange things
about him."
[Ref.: "The North
American Indian"]
|
|
|
 |
|
"Pima
Baskets"
Re-strike
photogravure, 1904, H x W, Unframed
"The
baskets made by the Pima, Papago, and Qahatika, as well as by their
Maricopa neighbors, are practically identical in formand design, but
the Mariciopa basketry is of somewhat superior workmanship. The
four-armed cross, a form of the swastika, appears as a central feature
in the decoration of a majority of the Piman and Maricopa baskets of
today and while the true signification here is not known with
certainty, it is not impossible that it was designed orginally to
represent the winds of the four cardinal directions. Less than a
generation ago the swastiska was employed by the Pima to decorate their
shields, and as a brand for their horses." [Ref.: "The North American Indian"]
|
|
|
 |
|
"Facade-San
Xavier del Bac Mission"
Re-strike
photogravure, 1907, H x W, Unframed
"The
Papago [branch of the Pima] certainly proved tractable enough, under
the efforts of the Franciscans, to build one of the most beautiful
mission churches of the United States, and while all similar edifices
of the region have fallen into decay, they have kept this wonderful old
structure at San Xavier del Bac in a good state of preservation." [Ref.: "The North American Indian"]
|
|
|
 |
|
"Qahatika
Girl"
Re-strike
photogravure, 1907, H x W, Unframed
"In
appearance and habits the Qahatika are almost identical with their
immediate congeners the Pima and the Papago. Many years ago, they say,
the Pima were living in Akichinh, near the Picacho, when a large party
of Apache made war on them and drove them away. The greater part went
to the Gila and established the settlement at Sacaton; others, the
ancestors of the Qahatika, went into the desert and made their homes
there." [Ref.:
"The North American Indian"]
|
|
|
 |
|
"Mosa-Mohave"
Re-strike
photogravure, 1903, H x W, Unframed
"It
would be difficult to conceive of a more thorough aboriginal than this
Mohave girl. Her eyes are those of the fawn of the forest, questioning
the strange things of civilization upon which it gazes for the first
time. She is such a type as Father Garces may have viewed on his
journey through the Mohave country in 1776." [Ref.: "The North American Indian"]
|
|
|
 |
|
"An
Oasis in the Bad Lands"
Re-strike
photogravure, 1905, H x W, Unframed
"This
picture was made in the heart of the Bad Lands of South Dakota. The
subject is the sub-chief Red Hawk, a sketch of whose life is given on
page 188 of Volume III."
[Ref.:
"The North American Indian"]
|
|
|
 |
|
"A
Hopi Man"
Re-strike
photogravure, 1905, H x W, Unframed
|
|
|
 |
|
"Slow
Bull - Ogallala"
Re-strike
photogravure, 1907, H x W, Unframed
|
|
|
 |
|
"Red
Cloud-Ogallala"
Re-strike
photogravure, 1905, H x W, Unframed
|
|
|
 |
|
"In
the Badlands"
Re-strike
photogravure, 1904, H x W, Unframed
"This
striking picture was made at Sheep Mountain in the Bad Lands of Pine
Ridge reservation, South Dakota." [Ref.: "The North American Indian"]
|
|
|
 |
|
"On
the Little Bighorn"
Re-strike
photogravure, 1905, H x W, Unframed
"This
picturesque camp of the Apsaroke was on the Little Bighorn river,
Montana, a short distance below where the Custer fight occurred." [Ref.: "The North American Indian"]
|
|
|
 |
|
"The
Three Chiefs- Piegan"
Re-strike
photogravure, 1900, H x W, Unframed
"Three
proud old leaders of their people. A picture of the primal upland
prairies with their waving grass and limpid streams. A glimpse of the
life and conditions which are on the verge of extinction." [Ref.: "The North American Indian"]
|
|
|
 |
|
"Quilcene
Boy"
Re-strike
photogravure, 1912, H x W, Unframed
"The
Quilcene, like the Skokomish, are a band of Twana living on Hoods
Canal, Washington." [Ref.:
"The North American Indian"]
|
|
|
 |
|
"Canyon
de Chelly"
Re-strike
photogravure, 1905, H x W, Unframed
|
|
|
 |
|
"The
Zuni Governor"
Re-strike
photogravure, 1905, H x W, Unframed
|
|
|
|
|
|
|
|
For further
information on any of these works or to request works by artists not
shown here, please contact us. |
|
|